#people want answers and at the same time don't

[blueboybot]

I want a fic where Danny is adopted but not by the JL but a villain. BUT! It is a very minor villain to the point where people are absolutely gobsmacked when he calls the villain dad, like everyone just stops what they're doing and watches the interaction. Bonus points if they find out that Danny is an absolute powerhouse monster and wonder what entity away from God's light did they fuck to have him.

"That's your son?"

"Yes."

"The glowing white haired teen?"

"Yes."

"The same glowing white haired teen that just froze a star and then ate it?..."

"Yes! And?"

"THE FUCK YOU MEAN "AND?", HE JUST ATE A STAR!!"

___________

Danny in a less than human form: *screeching*

"Scream all you want but you still have school tomorrow and you're going."

Danny: *leaves taking the cold and weirdness with him*

"Sorry about that, he gets a bit cranky when he has to take a nap."

The rest of the villains in the meeting terrified: Oh...

___________

"It would much easier if you got your son to help with your task."

"Absolutely fucking not! He's not going to do ANY vigilante/villain bullshit if I have any say in it."

"You have the ultimate weapon at your side and you-"

"My son is blessing not a weapon, I advise you to NEVER speak about him like that ever again."

____________

Villain, threatening JL Hero: Tell your kid stay away from my son, he doesn't need any of that shit yall bring into his life.

JL Hero: What?

____________

Personally I like to imagine this somebody as Kite-Man but that's just me, use whoever yall like.

[tamagoneko]

BONUS ART!!

the luau scene 🥥🌴🌺🍍

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[jq37]

I'm like genuinely interested as someone who thinks a lot about the craft of critique and fandoms the ways in which the current Rat Grinders discourse shows why you can't really apply the same lens you use to critique a pre written story vs an improvised actual play show by a bunch of comedians who are first and foremost concerned with committing to the bit. Like Porter's a great example of this, he went from a nothingburher to secretly evil with a whole lore and backstory!

In the same vein the Rat Grinders probably could have turned out to be not as culpable in all of this had the Bad Kids really tried to bond with them, but instead they focused on other things with the way downtime was structured! And because they did that they could pass the Last Stand, and are safe from Porter's rage thing! Like legitimately I really liked the mechanics of downtime this season, it just also came at the cost of developing the Rat Grinders!

(Though to be entirely fair, the BKs did try to engage with Oisin, Ivy, and Ruben and then Oisin launched the house, Ivy was racist, and Ruben still attacked Wanda so)

I think it's really fascinating from a storytelling/game design perspective! The downside is the Discourse is so tiring

Yeah it's interesting. I covered some of this in other asks so I'm gonna hit on the stuff I haven't yet.

If you're telling a story that is based partially on user input, it's not entirely fair to be like, "This subplot was underdeveloped" if the reason for that was that the players didn't make choices to facilitate that development. When DM's push hard for the players to care about things they're not interested in, they get hit with railroading accusations.

And even outside of the player choices, there are also the rolls. A BIG part of D&D is the randomness of the dice. Even if the players care about something, it doesn't mean they'll get it. I'll mention again that Kristen tried to roll Insight on Buddy before the final fight and got a Nat 1. What is she supposed to do? Roll again until she gets a good read on him? That's not how that works. If the dice aren't cooperating, there's not much you can do. And you can make sure your big story beats don't rely on dice but at the end of the day they *will* shape your story in ways you can't control.

Another key thing about the medium, as you pointed out, is things can change on the fly. The confluence of high rolls and serious interest can change things that were behind the screen canon in an instant. In Burrow's End, Aabria planned for Bennet to have a family but as soon as Tula/Brennan expressed interest in romancing him, she Thanos snapped that family out of existence. I don't know how much Brennan wanted the Rat Grinders to be recruitable but even if he'd planned them all to just be foils and evil and nothing else, I can totally see him flipping one if they'd really wanted to and it would have made for a good story beat.

Anyway, yeah! Interesting stuff to think about. Even though D20 often feels like a TV show, it's important to remember that it's a different beast in many ways.

[canisalbus]

I'm sure you get this a lot but because my cousin and I love that one Danny Trejo action comedy, I always have to snap my brain into the right position when I read Machete's name. Maybe I should draw them both chilling

.

[yume-fanfare]

my digital footprint is oddly prominent yet varied enough that ik at some point only a couple of tumblr mutuals will know the full extent of my lore

[daeum]

i think it's time to start aggressively looking for new opportunities....

if anyone has any leads for a designer, pls lmk c:

[iniziare]

do you write?

Mel semi-dared me to type: “No, leave me alone.” So I have to include it. But in all seriousness, I'll respond this once, because it does allow me to update people a little bit. Though please know that your notification did have me pause mid-writing. Now, I want to politely, and respectfully direct you to my description on both dash-only and on my blog's theme, I also want to point your attention to my pinned post, and I believe that it's even in my rules, but I could be wrong. Though let me repeat it here:

The depictions you'll find here are canon-strict, and so you can expect many analyses of all kinds here, as dissecting the characters that I write is what I'm passionate about, and what I'm here for (and to write, of course!)

I admit, usually I aim to write more threads/asks consistently even if I'm excessively slow, and though I haven't updated the dash about my circumstances for a while (as I'm decently private about my life), know that writing meta has simply come a lot easier lately when time has permitted me to be on Tumblr. Now, that doesn't mean I don't value people's interest in writing with me, and I will live up to the promises that I've made that I will get to that (as I have occasionally done lately, and was in process of doing again)— but when meta comes easier to me, then I prioritize that as of late, simply because stress' best counter is the distraction that comes the easiest. Now this isn't by any means a waste of time, as it plays into what I quoted above. Because ultimately, here's my thing: I make it exceptionally clear everywhere on my blog that I am canon-strict (or as Tumblr, sadly, disrespectfully seems to call it nowadays: a 'lore purist'), and that this leads me to write a lot of analyses left and right on the characters that I write, but these are fundamental to understanding my portrayals of them. If that isn't your cup of tea, sir, or ma'am, then maybe this isn't the blog for you, and I don't mean that with malice, or in disrespect, but simply as a simple rebuke. In that, I greatly appreciate you checking in on behalf of my writing partners, but I'm also quite certain that they have the capacity to approach me themselves if they have any concerns. Have a nice day or night, wherever you are!

[onepiece-polls]

Crackship decision poll

They have no canon interactions (as far as I know), but they've become quite popular (especially among KidLaw shippers), so....

It is not important if you ship them or not; this is about whether you think it's crack or not.

Art by Braindeadmaggot

[rolex-kaard]

it's actually so stupid

[persephoneflouwers]

🌷

[oidheadh-con-culainn]

i'm sorry i'm not being fun enough on my personal blog which is the only place on the internet i get to just be a person and not have to be professional because it's the only place my colleagues and employers don't follow me but also i'm not sorry because sometimes being grumpy is part of being human and i'm so goddamn tired of having to perform perfection on the internet

[kindahoping4forever]

my ultimate wish for this next era is they finally let Ryan go like they did Andy. I'm so sick of not getting the content we deserve. All the gatekeeping of tour diaries and now the crumbs of concert footage in that "documentary" yesterday. he was working for months on that? that's why we didn't get tour diaries? all that footage just goes in his vault now? Please.

Hello! I'm sorry to hear you felt disappointed by yesterday's special. However, I feel compelled to comment on a few objective points in your ask.

- "Live & Backstage in Amsterdam" was directed by James Tonkin, the same director (and production team, Hangman) they worked with on "The Feeling of Falling Upwards" (and the unreleased "Live in Brixton" special). Ryan was credited as director of the documentary footage and as a contributing editor (1 of 3) but the live footage and overall final program was not his work.

- Regardless of the particular creatives involved here (or in any given project for that matter), the fact remains that any directors, producers, photographers, etc are all hired hands operating with full input and specific direction from the band. The band chose to make this a hybrid concert film/documentary. The band chose to condense the setlist the way they did. The band chose this format over the traditional tour diaries. What happens to the unused footage will be determined by the band. Ryan is a friend but he is first and foremost an employee and the band owns that footage. (Likewise, the MYT diaries are not sitting on Andy Deluca's hard drive because he's "gatekeeping" or too lazy to edit it. If the band wanted them released, they'd be released.) All this to say, of course you don't have to agree with the decisions but it's important to clarify who your complaint is with.

- This concept of the band or their collaborators "gatekeeping" and fans not getting what we "deserve" is, to be blunt, entitled and immature. Being a fan does not make an artist indebted to you. They make music, if you feel so inclined, you listen. That's it. That's the extent of the contract. Anything beyond that is optional for both parties. Any content an artist chooses to release is not out of obligation or generosity, it's part business strategy, part artistic vision. Artists do not owe you anything. This band does not owe you anything.

[punctuation-completionist]

have you ever found a post with all 22 punctuations?

?

1/22

I'm going to redirect you to the last time I answered this since it hasn't changed yet!

(This link is also in my pinned post for future reference.)

[oyabun-draws]

chand should give a step to step tut on how to lure in a fffiiiinneee babe like maru to fellow gamer girls

step 1. be autistic